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[ COLLABORATION / 03 ]4 MIN READ

A Brief Instead of Telepathy. How to Talk to Clients Without Barking.

“Cozy, but not too cozy.” Kokos translates the language of dreams into decisions. For treats, obviously.

KOKOS / SALESA STUDIO STORY

Pixelated meeting of dog designers with plans and material samples

Kokos showed up to the meeting in a blazer. The client showed up with seventeen inspirations, none of which resembled the others. A bowl of treats sat between them like a neutral mediator.

What’s Behind the Image?

When a client shows a photo, we don’t assume they want everything in it. Maybe it’s the light, maybe the color, or maybe the fact that no one left laundry in the shot. Asking “what exactly do you like here?” saves a lot of wandering.

Kokos also likes the reverse question: what bothers you most in the current interior? Sometimes, a closet that closes without using your knee is more important than a dream lamp. It’s elegant to solve the right problem.

Priorities Before Palette.

In our imagined process, we record the scope, budget, decision order, and who makes them. We establish what’s essential and what’s a nice-to-have. Kokos put treats in both columns. We asked for a correction.

One shared list of agreements is better than five conversations where everyone remembers something different. A work organization tool like arkeeno can help gather the project in one place. But it won’t replace a clear question and an honest answer.

Feedback Should Be Drawable.

“I’m not feeling it” is the start of a conversation, not the end. We ask: too dark, too much stuff, uncomfortable layout, or does the color not match the rest? Specifics allow us to test a change instead of guessing another variant.

After the meeting, we summarize decisions, open questions, and next steps. We don’t promise mind-reading. Kokos can identify an opening bag of treats from across the house, but that’s a different skill set entirely.

SIGNED BY

LEAD DESIGNER

[ KOKOS SAYS ]

Pixel portrait of Kokos the dog
KOKOS / SALES
“THE CLIENT DOESN’T NEED TO KNOW THE NAME OF THE SHADE. WE NEED TO UNDERSTAND WHAT THEY WANT TO FEEL.”

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